I’m delighted to announce some autumnal updates!
1) Notes from Other Worlds – Reading at Creative Centre for Collaborative Collaboration
I’m having a reading to celebrate my first published book, Notes from Other Worlds (you can see my fingers oddly coiled in the polished sheen of the cover) at the Centre for Creative Collaboration in Kings Cross on 29th September, 7:30-9:00pm. It’s free, there’s wine and books. What could be better?
The Link for more info on the book can be found here.
2) Sum – Bread and Roses Theatre
Sum, a new play of mine, is being staged at the Bread and Roses Theatre from the 27th-29th November and the 4th-6th December – focusing on new societies created from the pilot of a hivemind technology. Odd fact – the image is actually a painting of mine 🙂
I’m actually whipping up a separate site for this, along with notes and ideas, so you can have a peek if you want!
Tickets are already on sale! Have a look here.
3) Interview with Female Arts
If you’d like to know a little more about both of these projects plus a little more, check out my interview with Female Arts where I discussed them in a little more detail. They are a great initiative that promote female involvement in the arts (they also reviewed Terra Firma for us!).
The link is here.
The month of August is speeding past (rather predictably), but it’s an especially exciting one for me!
1) Notes from Other Worlds
You may have noticed me post on monologues from time to time – well, I have good news on that front! Notes from Other Worlds is being published by Playdead Press, which is my collection of monologues based on SF tropes, but ones I feel lend themselves particularly to the human experience and therefore feels effective being acted out. The cover reveal will come soon!
I’ll be on the panel for Staging the Fantastic for Loncon3 amongst a stellar set of people, which I’m both excited and nervous for! The details are here:
Staging the Fantastic
Capital Suite 16 (ExCeL)
Sat Aug 16th, 6pm – 7pm
Erin M. Underwood, Susan Gray, James Patrick Kelly, Geoff Ryman, David Wake
Is this a golden age for genre theatre? On both sides of the Atlantic, fantastical theatre has seen notable successes in recent years – from ‘blockbuster‘ productions at the National Theatre of His Dark Materials and the original Tori Amos/Samuel Adamson musical, the Light Princess, to smaller, thought-provoking independent work from groups such as The Alchemist Theatre Company, Unlimited Theatre, Luna Theatre Company, and the BFG Collective. Earlier this year, Stage the Future was the first international academic conference on SF theatre; and the forthcoming anthology Geek Theater collects genre theatre by numerous playwrights and other SF authors. So what are the challenges and opportunities of putting SF and fantasy on stage? How does SF theatre use special effects, which are so central to other forms of visual SF? And how is the audience for SF theatre growing and changing?
3) Terra Firma at the Etcetera Theatre
On the 18th -20th (just after Loncon actually), starts our run of Terra Firma at the Camden Fringe! Find more out at http://www.terrafirmaplay.co.uk.
See you there! 🙂
Yes, I have been a little delayed on Fiction Friday this week – things have been getting busier than usual!
News the first – Cuckoos and Chrysalides is being staged on the 29th and the 30th of August at the Old Red Lion Theatre in Angel. It’s being produced amongst others in a great Triple Special! Come on, come all!
I am also a new blogger of Amazing Stories – you can find my profile here. I’m so excited and ready to promote SF theatre to the masses!
I’m waiting to hear back from my play proposal Object meets Subject, which should be soon!
I’m also hearing back from 3 other projects, and very excited about those!
I also have some news that I am with-holding at the moment, but I will get back to you all soon! It’s something that I’m really looking forward to!
I’m going to be reviewing some more of my plays – next up, Terra Firma!
From His Master’s Voice (1983):
It turns out, however, that freedom of expression sometimes presents a greater threat to an idea, because forbidden thoughts might circulate in secret, but what can be done when an important fact is lost in a flood of impostors, and the voice of truth becomes drowned out in an ungodly din? When that voice, though freely resounding, cannot be heard, because the technologies of information have led to a situation in which can receive best the message of him who shouts the loudest, even when the most falsely? (22)
This quote from Stanislaw Lem’s His Masters Voice pretty much sums up the joys and downfalls of social media. I’m writing a monologue based on noise and how life is drowned in the noise of technology and industry (whether physically or not) compared to the days of yesteryear. Oh and fitting in Kepler’s Harmonices Mundi in there. Because I can.
Last week, I started writing commentaries on my plays and so forth, which you can see here. It’s very hard to show plays in the same way you would novel chapters or short story samples, but I will endeavour to do my best!
Last week was Cuckoos and Chrysalids, and this week is A Christmas Gift (that was staged last year in December). I will be doing a piece each week (ish).
In other news, I also did a video proposal for Object, Meet Subject which is also a short play that I hope to be taking up to Manchester. Those of you who are on Twitter may have seen this – I will link it here. It’s a one person show that will be cheap and cheerful to run and I hope people will enjoy it.
I’m also doing a collaboration with Lucy Harrison, a composer who is also studying for her PhD at Royal Holloway. I will give you news on that later – music and writing projects are always something that excite me! The performance should be at the end of September in London – I’m really looking forward to it!
Plays wise – Cuckoos and Chrysalids has been postponed for a later date (I will let you know of all the details). I’m also waiting on quite a few more. NewsHound has also been selected for a future show from one of the companies at the Camden Fringe this year, so very excited about that!
I also may have some exciting news about October and November, but I can’t yet say!
More details will materialise over the month. Here’s hoping!