Well, April went by as some sort of manic blur, but I’m finally back!
Things have happened. These are:
1) The Performing Science conference at Lincoln, organised and hosted by Andy Jordan, ran from the 23rd to the 25th April with amazing keynote speakers Carl Djerassi and Michael Frayn. I gave a talk on the differences and benefits of Science Theatre and SF Theatre and had my monologue, The Russian Doll Case, performed. It was a great array of speakers – academics, practitioners, producers, scientists et al. So many perspectives and angles! Thoroughly enjoyed it. I also managed to see Bloodlines before I dashed for the train – an intricate performance presenting the idea of blood tranfusion through physical theatre.
Then it was time to get ready for:
2) Stage the Future at RHUL, on the 26th and 27th April! It was great to see the passion and commitment everyone had in the room – simply buzzing with ideas, performances and ways to bridge communities together. From the past, present to future, I think everyone found out about at least one production they’d never heard about, a new angle to take, a new theoretical bridge to cross. I presented a paper on worldbuilding, using Terra Firma as an example. There were performances and papers from academics, practitioners, directors, producers, actors etc. We wanted to have this balance between academia and performance – because, well, that’s what the theatre is really about and SF Theatre needs more recognition in both of these areas. Of course, this is only the beginning – there are many plans waiting in the woodwork that I will announce when I can!
The next day:
3) My short play, The Reality Test, was staged amongst a series of performances on the theme of CAGED at The Old Red Lion Theatre in Angel, produced by the wonderful Writers Bloc. This piece depicted two performers going through an infinite loop – but trying to hide these patterns of behaviour from the other. Which one are real or are both simply a fabrication? The actors Alice Havillyn and Jack Heath did tremendously well – I was only able to have two rehearsals with them before I went to Lincoln – and they did a sterling job, I have to say!
The next day:
4) I had Terra Firma read by KDC Theatre (and recently had Fishbowl read last night) and they’ve given me much food for thought and ways to add and cut a few lines here and there. It’s been very beneficial!
So now, what are my plans?
I’m doing another collaboration for Written and Composed with Lucy Harrison, which is a mixture of soundscape, installation and live performance. It’s based on one of the monologues from my book, Notes from Other Worlds. I’m so excited for this! It’s on the 22nd May (not long now!) at Toynbee Studios. Link here.
I’m also preparing for my annual review in June – sorting out which creative things to submit!
Things are underway for Terra Firma – the full production! I’ve been sorting out press and all that jazz and it’d be great if you could come and see the finished version (whether you’ve seen the rehearsed reading or not!). More details will be available soon!
I’ve also started the new theatre company that I’ve thought about for so long – Stars or Mars Theatre is finally up! This is to create a network to collaborate and create original works of SF Theatre in London. I have 3 ideas so far for potential collaborations, but they’ll be put up on the site in due course. You can find the link here.
I’m also planning a new play – I’m just waiting for all the ideas to hit a vantage point from which to write from. Rather tedious, but hey!